• Skip to main content
  • Skip to footer

Texture & Space

  • About
  • Spaces & Places
  • People
  • Objects
  • Renovation Notes
  • Facebook
  • Instagram
  • LinkedIn
  • Pinterest
  • TikTok

Meet the maker behind the eco-friendly brick with colourful credentials

February 20, 2023 Rebekah Killigrew Objects, People

There’s a new eye-catching construction brick on the block: the K-Briq®. With it’s beautifully textured range of colours and sustainable credentials, it’s already making waves in the building and construction industry, with design enthusiasts and home renovators sure to follow.

Professor Gabriela Medero is one of the makers behind K-Briq® – the first product developed by clean tech company Kenoteq, which was co-founded by Gabriela alongside Dr Sam Chapman.

Professor Gabriela Medero, Co-founder of Kenoteq

As well as her work with Kenoteq, Gabriela is a professor of geotechnical and geoenvironmental engineering at Heriot-Watt University in Scotland. She’s a well-travelled academic force with a passion for sustainable design and supporting women within the male dominated STEM industry.

Intrigued by the K-Briq® and the makers behind the design, I got in touch with Gabriela to find out more about her background and what the future holds for this excting new building material.

K-Briq® | Photo credit Zero Waste Scotland
Please can you tell me about yourself and your background?

I am a deeply passionate person, and protecting the environment has always been one of my greatest passions. Since childhood, I have felt an enormous respect for the natural world, and now, as a parent, I harbour concerns about the future of our planet.

I qualified from the Federal University of Rio Grande do Sul (UFRGS) in Brazil, before completing my PhD jointly at UFRGS and the University of Glasgow. A year later, I became a lecturer in Civil Engineering with the School of the Built Environment at Heriot-Watt University where I worked my way up to the role of Professor.

As an expert in geotechnical and geoenvironmental engineering, my work with Heriot-Watt has allowed me to travel widely, including to Brazil and Colombia where I’ve undertaken projects to safeguard vulnerable populations from the threat of landslides. The frequency of this hugely destructive natural disaster is increasing as the climate changes. Working alongside local communities in these countries with a multidisciplinary team of researchers, we monitored critical points on their hillsides, engineering emergency surface drainage solutions and identifying early warning signs of landslides. Mitigating the impact of climate change and finding solutions to global challenges has underpinned my career.

Another passion for me is about supporting women into STEM careers and acting as an ambassador in a male dominated industry, so I place great importance on public engagement. I have visited primary schools to excite hundreds of school pupils about engineering careers and how it can help to change the world for the better. I am also enormously proud to be Chair of the University’s Women’s Engineering Society through which we promote, support, and encourage activity which enriches discussion amongst engineers of all genders about equality of opportunity.  

K-Briqs® can be made in a range of colours using recycled pigment | Photo credit Kenoteq
How did Kenoteq come about and what is your goal as a company?

I have long been concerned with the UK’s construction industry’s contribution to waste with this sector producing more than 120 million tonnes of waste each year, more than one-third of the country’s total. It also generates 40% of Britain’s carbon dioxide emissions while placing a damaging drain on the world’s finite and precious raw materials.

This led me to consider construction methods which have gone unchanged for thousands of years. Our project ‘K-Briq’ was conceived following a research project at Heriot-Watt University, which explored sustainable, traditional construction methods. Identifying the limitations of historical techniques for modern day application, we set out to ‘update’ them. Objectives included helping the sector re-use valuable recycled materials from construction and demolition waste, reduce carbon emissions and limit virgin material exploitation.

Together with my co-founder Dr Sam Chapman, we spunout a company called Kenoteq in 2019. Kenoteq is now on track to produce several million K-Briqs® this year. I have used our innovation to raise the profile of geomaterials engineering as well as to drive ‘sustainability in design and construction’ back into the policy agenda.

Kenoteq Exskallerate trial 1
Let’s talk about the K-Briq® in more detail – it’s an exciting product. Can you explain in layman’s terms what it is and tell me about its sustainable credentials?

The K-Briq® is made from more than 90% construction and demolition waste. The manufacturing process requires less than a tenth of the energy during production when compared to clay fired bricks while our method produces less than 5% of the greenhouse gases generated by conventional bricks.

K-Briq®’s sustainability stems not only from its manufacturing methods: its locality in the supply chain makes it a circular economy exemplar. We plan to produce K-Briqs® as close to the point of use as possible, through either a licensing or franchising model, with waste recycling centres across the country. In the UK, the construction industry currently imports 500 million bricks per year to meet national demand. Imports mean carbon intensive shipping and transport.

Using our model, trucks can drop off construction material waste at recycling centres with a K-Briq® manufacturing plant and return to their worksite carrying new K-Briqs®, gaining considerable efficiency for each driven mile. Manufacturing speed is a key advantage here: within 24 hours of the waste arriving at the processing facility, it can be reprocessed and made into K-Briqs® .

In terms of our future, we are thinking big! We know the K-Briq® can help the design and construction industries to meet their net zero targets. But creating a revolution in any industry is very difficult. More support from governments is essential, both globally and here in the UK. Too often, legislation lags far behind innovation, so companies working in design and construction need to be better incentivised to adopt sustainable practices and materials.

In design, legislation needs to make the integration of environmentally sustainable practices and materials as fundamental as fire prevention measures. Until they are enshrined in law, green building practices remain at the whim of the designer or client. Fortunately, a growing number of interior designers, developers and architects are embracing sustainable alternatives to help to curb climate change. 

We’ve started to demonstrate how our bricks can transform interior design and have several large projects in the pipeline. Of course, developing greener bricks is just one way to build a more sustainable future but, as everybody knows, you can’t build anything without laying the first brick!

K-Briq used at Tuk Tuk’s new restaurant
K-Briq® is available in 13 colours and can be colour-matched, which I think is great – can you share details of the recycling process behind creating the colours?

Our patented process using recycled materials means K-Briqs® are compressed rather than fired with a proprietary binder as our secret sauce. We include a recycled pigment to give each brick its distinctive colour. The colour-matching capability provides exceptional aesthetic possibilities far beyond those offered by traditional clay-fired bricks. A bold contrasting colour can set the K-Briq® apart as the sustainable centrepiece in any design project. Alternatively, a complementary colour choice can seamlessly harmonise the K-Briq® into a room or building’s colour palette. For refurbishment projects, we can colour match the K-Briq® to existing bricks to offer a low carbon build solution to the extension or retrofit. This allows architects and designers to create unique colour palettes for their projects.

Can you tell me about the texture of the K-Briq® – is it the same as a standard brick or does it have its own unique feel?

Even though it’s made without kiln-firing, which dramatically reduces the energy used , the K-Briq looks and behaves like a traditional brick. In terms of feel, it has a slightly sandy, rough texture with flecks of various materials visible throughout as a nod to its former life. The shape can be manipulated, crumbled, and shaped just like a clay brick to meet the needs of a variety of unique design ideas.

K-Briq used at Tuk Tuk’s new restaurant
What is your favourite space where the K-Briq® has been utilised in so far?

I am excited about every single project that uses the K-Briq®; it is wonderful to see a dream being built in so many walls. For example, we recently completed an interior refurbishment project with Tuk Tuk Indian Street Food, a restaurant in Edinburgh. Working with bold interior design firm S+ CO, the K-Briq has added a unique and sustainable flair to the interior of the restaurant. The K-Briq® has been used to create a statement bar front, which is a focal point for diners and utilises over half a tonne of recycled construction waste in this single feature. A combination of frogged and solid bricks in a colourful mix of magenta and mustard make up the unique design.

CEO of Tuk Tuk Indian Street Food, Rizvi Khaleque told us: “The world needs to move rapidly towards a more sustainable future and the hospitality sector can take a leading role in this. At Tuk Tuk, we have thought deeply about how to make our restaurants more environmentally conscious as well as visually appealing for our guests by including design features that can contribute to the UK’s net zero strategy. The K-Briq®’s frog brick with its unique pigmentation is completely different from anything else on the market and the final design feature’s look and feel ‘laid back’ which complements our design and atmosphere. I love the colours.”

There is no easy path that the hospitality industry can take to get back on its feet after the pandemic but by speaking with innovators and interior technologists, companies in this sector can start differentiating themselves by making bold choices in design, taking the opportunity to innovate and meet sustainability challenges head on.

Samples of K-Briq® can be requested from Lucy Black, Head of Business Development on info@kenoteq.com  

www.kenoteq.com | IG: @kenoteq

Pin For Later:

If you enjoyed reading about the makers behind K-Briq®, you may like to meet the founder of Blank Earth Ceramics.

FacebookTweet

About Rebekah Killigrew

Rebekah is the Founder and Editor of Texture & Space. She is a magazine editor, creative writer and mother of two with a passion for beautiful buildings, spaces with texture, and smooth coffee.

Previous Post: « The soothing curves and colours of a Prague family home
Next Post: Collaborative design for brutalist-inspired kitchen collection »

Footer

Follow The Editor

rebekahkilligrew

rebekahkilligrew

November 🍁 surprising house progress, food, fam November 🍁 surprising house progress, food, family & celebrating some of my faves 🧡
bedroom details ‘cause you all loved her room so bedroom details ‘cause you all loved her room so much when I shared on my stories💞💛💚💙🫶🏾 a wonderful mix of old and new - items tagged below 👇🏾 

Bedding: @dunelmuk 
Desk: FB find upcycled with @makeitrustoleum 
Lamp shades: @dunelmuk 
Blanket: Handmade by my Aunty 🥰
Rug: @dunelmuk 
Light sign: @laredoute_uk 
Teepee: @therangeuk 
Picture: Cover of @lulamagazine found on @ebay_uk
Wall colour: Chateaux by @graphenstonepaintsuk (PR product)
dug up some old footage of my daughter’s room fr dug up some old footage of my daughter’s room from when we first got the keys - can you tell which photos/videos are mine and which are Tom’s? 😆 love looking back and seeing how far we’ve come, especially when everything still feels so unfinished. slowly slowly 🫶🏾
Tis the season to seek comfort, safety and celebra Tis the season to seek comfort, safety and celebration within our communities and homes; and as such, good residential and urban design is gifted in the new issue of @architecturemagazineuk the final one of 2024!

There are contributions penned by an eclectic mix of industry insiders covering 21st century urban living, the Passivhaus revolution, and thoughtful private residential design. 

My featured interview is with multifaceted architect Remi Connolly-Townsend, Founder of London-based @remict_studio, who are passionate about residential design on a global scale; and the cover shot is from the stunning Weald House project by @mailendesign and @peterbradfordarchitects, which features a gorgeous expanse of windows by architectural glazing experts @maxlightltd. 

I hope you enjoy!

Image credits:
1-2: Flexible Apartment by @chybikkristof - Photography by @alex.shoots.buildings 
3-4: Multifunctional Tower Tirana by @chybikkristof 
5: Remi Connolly-Townsend of @remict_studio in @architecturemagazineuk 
6-7: Maryland House by @remict_studio - Photography by @james_retief 
8: Cover of @architecturemagazineuk featuring Weald House project 
9-11: Weald House project by @mailendesign and @peterbradfordarchitects - Photography by @landers_photos 
12-14: Kings Road House by @matthewgilesarchitects - Photography by @frenchandtye
☀️🌊⛱️🏝️🐚 ☀️🌊⛱️🏝️🐚
dreamy dunes - we just kept going back 🫶🏾 dreamy dunes - we just kept going back 🫶🏾
@thebiid awards 2024 ✨ @thebiid awards 2024 ✨
🌱🚿🪴🚽💚🚰 The downstairs wet room 🌱🚿🪴🚽💚🚰

The downstairs wet room is finally functional (I no longer use the word “finished” when discussing our renovation). Tom has used his DIY skills to transform a dark and dilapidated space into a simple textured wet room that feels spacious and light - the terrazzo-style microcement makes it feel like a lovely little cave. (PR Product from @relentlessmicrocement) 

For the smallest and simplest design, it’s taken nearly seven months to complete and I couldn’t even tell you why really. It’s going to be such a hardworking room: a downstairs loo (thank goodness no more up and down, up and down with the kids) and an extra shower, which will come in handy when we have guests and as the kids get older - but let’s be honest, it’s probably just going to be for the plants 🪴 and Rambo 🐶. And let’s not worry about the fact that we don’t have a door yet and the lighting still needs to be fitted - you really can’t have it all.
retail spaces that convince you to log-off and lea retail spaces that convince you to log-off and leave your cosy home ✨

As we head into the Golden Quarter with brands and retailers preparing for a whirlwind of promotional and festive events, the new issue of @interiordesignermagazine spotlights some glorious retail spaces. Amongst others, we view vibrant RIXO locations designed by @cuplastudio - whose Founder Gemma McCloskey features in my Designer Profile - and the cover shot features the new KEF Music Gallery in central London; designed by @conranandpartners, this immersive space has been given a sophisticated residential feel. 

Feast your eyes!🤩

Images 1-5: @rixo stores by @cuplastudio | Photography by Megan Taylor
Image 6: Cover of @interiordesignermagazine 
Images 7-9: KEF Music Gallery by @conranandpartners l Photography by @taranwilkhu 
Images 10-12: Hoff Flagship store by @eldepartamento.estudio 
Images 13-15: @diptyque’s Maison Diptyque London
a walk down kitchen-reno-memory lane ‘cause I st a walk down kitchen-reno-memory lane ‘cause I still fixate on what isn’t done rather than what is. from where we started in june 2023 right up until today, our kitchen has become the heart of our home - we cook, eat, dance, read, write, laugh, and cry here. and last week my sister popped over and shot a little tea campaign in the kitchen using my late granny’s vintage china, which I had stored away since 2020 and was finally ready to be set out for a new memory 💕
GOHO Kaiseki & Bar - a gorgeously moody, raw and i GOHO Kaiseki & Bar - a gorgeously moody, raw and intoxicating design by @owiudesign, which I’ve been obsessed with since its completion in 2022.

In the new issue of @architecturemagazineuk, my interview feature is with Joel Wong and Amanda Gunawan, the brilliant co-founders of @owiudesign. With a multitude of acclaimed projects under their belts, including international hospitality hotspots and achingly cool LA homes, the young duo have also developed a multi-pronged business with offshoots that include construction company Inflexion Builds and ceramics brand @owiugoods. 

In the magazine, Joel and Amanda discuss their future ambitions, team dynamics, and the OWIU philosophy, which has guided them on their design journey.

Photography by Finbarr Fallon
New headshots for work ‘cause my daughter caught New headshots for work ‘cause my daughter caught sight of my old headshot (swipe to the end) and commented “wow, you look so young!” My birthday is looming this weekend too thank you very much.

For the last decade I have been writing, editing and creating content for digital and print - in fact, I’ve been doing it longer than that if I include when I wasn’t being paid - and this month marks six years of working as a magazine editor (that B&W headshot was from when I started!) 

As someone that didn’t study at university, for a very long time I felt like I was winging it, and whilst I still get occasional bouts of imposter-syndrome, I do feel like I know what I’m doing these days. I am knowledgable, I am capable (great affirmations), and yes, I have happily aged. So please don’t ever let a lack of formal qualifications or your age stop you from trying. 

I don’t look like these new headshots any more btw. Just a couple of hours later, my hair is back in its messy bun, the red lip is smudged & faded, and I have crumbs down my top. You can absolutely be more than one thing 🫶🏾
Load More... Follow on Instagram

Copyright © 2025 ⸱ Texture & Space ⸱ By Hearten Made

Copyright © 2025 · Dainty on Genesis Framework · WordPress · Log in